Personal profile
Overview
As a British/Asian practitioner, I trained in theatre directing at Rose Bruford, then MA Body in Performance at Laban. I began lecturing at Royal Conservatoire of Scotland and Drama Centre London at Central Saint Martin’s, then joined London South Bank’s Drama department as a visiting lecturer in 2009. I became a senior lecturer in 2012. My practice centres on Dirty Market, a theatre company I co-founded in 2007.
Research Interests
Surrealism and the Avant-Garde
New Materialism & Posthumanism
Diffractive Dramaturgies
Improvisation (in all fields of performance)
Archetypal Psychology
The Choreographic Theatre of Enrique Pardo (PanTheatre)
Pedagogy (teaching creativity & collaboration)
James Hillman (Poetic bsisi of mind)
Subjects Taught
Devising, Creativity, Theatre-making, Posthumanism & Performance, Modernism & Performance, Acting, Classical Acting, Mythology
Fingerprint
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Mary Overlie’s Viewpoints as a Process Tool for Exploring Diffractive Dramaturgies
Lee, J., 6 Jun 2025, (Accepted/In press) Revealing Posthuman Encounters in Performance. RoutledgeResearch output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
Open AccessFile -
Diffractive Dramaturgies: exploring ways to create and audience work from a non-anthropocentric perspective
Lee, J., 2024.Research output: Contribution to conference › presentation › peer-review
Open AccessFile -
The Omagemi Dilemma Game
Lee, J. & Sowerby, G., 23 Sept 2024.Research output: Contribution to conference › presentation › peer-review
Open AccessFile -
The Omagemi Dilemma Game
Lee, J. & Sowerby, G., 10 Jun 2024.Research output: Contribution to conference › presentation
Open AccessFile -