Abstract
A discussion of cultural politics of echo, both as sound effect and as a sound source, with examples from Black Atlantic music practices, such as dub reggae engineering and hip-hop sampling
| Original language | English |
|---|---|
| Title of host publication | The Routledge Companion to Sound Studies New York and London: Routledge |
| Place of Publication | New York (USA) and London |
| Publisher | Routledge |
| Edition | 1 |
| Publication status | Published - May 2018 |
Keywords
- Black Atlantic music practices
- Digital sound sampling
- Echo; Sound Studies