Jean Lambert-wild ou la scène au-delà du visuel

Eugenie Pastor

doi:10.15122/isbn.978-2-406-06922-5.p.0081

Jean Lambert-wild ou la scène au-delà du visuel

Eugenie Pastor

Research output: Contribution to journal › Article › peer-review

Abstract

This article examines how Jean Lambert-wild and his collaborators are overcoming physical staging impossibilities and are developing a form of theater that goes beyond the visual. Using technological procedures, this theater calls into question the separation of the stage and the audience and develops a form of alternative “touching” (that includes the voice), which aims to create a community of spectators: a way of being together.

Original language	English
Pages (from-to)	81-97
Number of pages	16
Journal	European Drama and Performance Studies
DOIs	https://doi.org/10.15122/isbn.978-2-406-06922-5.p.0081
Publication status	Published - 23 Jun 2017
Externally published	Yes

Keywords

Staging impossibilities
Touch
Voice
Community
Technology

Access to Document

10.15122/isbn.978-2-406-06922-5.p.0081Licence: CC BY 4.0

Cite this

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AB - This article examines how Jean Lambert-wild and his collaborators are overcoming physical staging impossibilities and are developing a form of theater that goes beyond the visual. Using technological procedures, this theater calls into question the separation of the stage and the audience and develops a form of alternative “touching” (that includes the voice), which aims to create a community of spectators: a way of being together.

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KW - Touch

KW - Voice

KW - Community

KW - Technology

U2 - 10.15122/isbn.978-2-406-06922-5.p.0081

DO - 10.15122/isbn.978-2-406-06922-5.p.0081

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Jean Lambert-wild ou la scène au-delà du visuel

Abstract

Keywords

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