TY - JOUR
T1 - Rethinking music geography through the mainstream: a geographical analysis of Frank Sinatra, music and travel
AU - Milburn, Kevin
PY - 2019
Y1 - 2019
N2 - This is an Accepted Manuscript of an article published online by Taylor & Francis in Social and Cultural Geography on 20 September 2017, available online: http://www.tandfonline.com/10.1080/14649365.2017.1375550
This paper brings a new perspective to music geography by focusing on how a particular mainstream musician helped to construct, subvert, and circulate meanings associated with travel. It asserts that Frank Sinatra, via his music and actions, engaged with travel in ways that frequently ran counter to how it has commonly been enacted in American music and popular culture. Particular attention is paid to the singer’s travel-themed album, Come Fly With Me. By the time of its release in 1958, Sinatra, via a public persona that encompassed performer, ‘playboy’ and businessman, was a central figure in promoting an alignment of leisured mobility with postwar economic success. The paper interrogates how Sinatra’s celebrity allowed him to embody travel in certain real and imagined ways. It also examines what the resulting representations revealed about performances of gender, ethnicity, and status, and the expected modes of behaviour that were associated with them, in America’s postwar consumer-driven society.
AB - This is an Accepted Manuscript of an article published online by Taylor & Francis in Social and Cultural Geography on 20 September 2017, available online: http://www.tandfonline.com/10.1080/14649365.2017.1375550
This paper brings a new perspective to music geography by focusing on how a particular mainstream musician helped to construct, subvert, and circulate meanings associated with travel. It asserts that Frank Sinatra, via his music and actions, engaged with travel in ways that frequently ran counter to how it has commonly been enacted in American music and popular culture. Particular attention is paid to the singer’s travel-themed album, Come Fly With Me. By the time of its release in 1958, Sinatra, via a public persona that encompassed performer, ‘playboy’ and businessman, was a central figure in promoting an alignment of leisured mobility with postwar economic success. The paper interrogates how Sinatra’s celebrity allowed him to embody travel in certain real and imagined ways. It also examines what the resulting representations revealed about performances of gender, ethnicity, and status, and the expected modes of behaviour that were associated with them, in America’s postwar consumer-driven society.
KW - Cultural Studies
KW - Human Geography
KW - Geography
U2 - 10.1080/14649365.2017.1375550
DO - 10.1080/14649365.2017.1375550
M3 - Article
SN - 1464-9365
SP - 730
EP - 754
JO - Social & Cultural Geography
JF - Social & Cultural Geography
ER -